“THE U.S. COMPOSTAL SERVICE”

For a “dirty, earthy” Nightlife at The California Academy of Sciences April 26, 2012, I teamed up with Ami Puri of Homespun Bikes under the name  SWEET TEETH to create something we called The U.S. Compostal Service, a mobile compost and food vending system that illustrates the cycle of life on a bicycle, trailing a kitchen garden.

For the project, we served up bites of fresh wild nettle and kale frittata inside empty eggshells (a byproduct of frittata-making) from the front basket of the bike. After finishing their snacks, we invited museum participants to add their empty eggshells to the bike-mounted worm compost system built on the back of the bike, in cute wooden panniers we built ourselves.

In one wooden pannier, people added fresh food scraps to living Red Wrigglers (our worms),  and in the other pannier was dark, rich, earth-smelling finished worm compost, ready for the garden.

Behind the bike, nestled inside a hand-made bike trailer made from modified bike parts and reclaimed wood, was a living garden that included kale –  the very vegetable needed to make more fritattas.

We hoped to show how food scraps – used creatively, with worms and time –  build good soil, and grow more food.

Part of the reason we chose to build a mobile food vending and compost bike was to  illustrate how transportation, waste, and consumption can be re-envisioned to become more sustainable in ways that fit together and complement eachother.

We also wanted to show how something educational and useful could be made beautiful, delightful, and entertaining, requiring the active participation of  a community.

The U.S. Compostal Service was on display at The California Academy of Science  April 26, 6-10 PM at, 55 Music Concourse Drive, in Golden Gate Park, San Francisco. Special thanks to BIG THINGS for helping organize the event.

Jewish Food from Poland, Russia, Lithuania, France, & Austria

SLOW FOOD FROM THE PAST

For the last year I have been organizing very special, one-of-a-kind dinners based on aligning people’s origins with the seasons. I take people on a slow, thoughtful journey back in time, to the cuisine of their grandparents and great-grandparents, as a way of telescoping time between several generations of people and bringing food history to the fore, informing someone’s personal history with time and place, ancestry, geography, religious tradition, and culture.

A personal history of food is both unique to us as individuals and not unique to us in that it is often shared by others who lived in those times, places, and shared circumstances. My idea is to create dinners that braid together several culinary traditions of an individual’s personal history into a single meal that somehow shares the story of who we are and how we came to be here with others we care about. The story unfolds in food and in conversation between people at the table.

A NEW KIND OF THANKSGIVING

Perhaps it is the American in me that wants to make dinner a place to tell stories of how we came to be in North America. But because Thanksgiving isn’t a story most people I know can or want to relate to,  I want to create tables where we can celebrate cuisine and culture as it pertains to diverse family histories, while acknowledging the complicated role persecution, genocide, colonialism, and slavery play in moving families from place to place. Sometimes people assimilate their food practices; sometimes they don’t, and manage to hold onto their traditions. I think both are interesting. Because of the pressures of assimilation, eating a meal  one’s grandparents or great-grandparents might have eaten is a curious and new experience for some Americans. It is this tension – between tastes that are in turns familiar and somewhat foreign – from foods we are separated from by only a few generations – that makes tasting the food of our ancestors so interesting.

My Yeasted Russian Blini with Salt-Brined Cranberries & Home-cultured Creme Fraiche

JEWISH FOOD FROM RUSSIA, POLAND, LITHUANIA, AUSTRIA, FRANCE

Last night I created a special biographical dinner that braided together the strands of a friend’s ethnic heritage to represent the corner’s of her life – her Jewish parents, one of whom fled Poland during the Holocaust to live secretly under assumed identities in Austria and France, and another side that left the pogroms of Lithuania and Russia for South Africa and England before coming to America.

I was interested in the Jewish diaspora of her parents and grandparents from Eastern Europe, living in country after country; sometimes with hope, sometimes in fear, absorbing languages and influences of each. Because my friend is vegetarian, I also chose to focus on foods that would be both respectful of animals and appropriate for the season.

SOMETHING OLD, SOMETHING NEW

It took a lot of research to make a dinner that was both authentic to the world of her grandparents and contemporary enough for modern tastes, translating this Old World Jewish food into a dinner experience people in San Francisco would find palatable and interesting.

ODE TO THE CABBAGE

As it evolved, the dinner became – in my words- a veritable journey of the cabbage, the beet, and the potato –  as they traveled between cuisines of Russia, Poland, Lithuania, Austria, and France, picking up different influences along the way.

As my friend’s family emigrated, so did the cabbage.

For this reason, cabbage showed up in four ways on the dinner table that night – stuffed, fermented, made into cutlets and fried, and even baked into a pie – reflecting cabbage recipes from Poland, Russia, Austria, and France, respectively. In this way I was able to show how a humble Eastern European staple made it’s way from the earth to the oven, from the root cellar to the pickling jar, and from the garden to the frying pan, in cities, in orchards, and on farms, in many, many ways, though many countries, over several centuries, to end up in our modern kitchen.

On Food and War with Maxine Hong Kingston

I was the invited culinary artist for another Feast of Words at SomArts with the legendary writer Maxine Hong Kingston, to complement their current exhibit, “At War,” dealing with the topic of war and conflict.  Having just completed an installation using food and video to talk about war for Emergency USA  (see post below), I decided to reprise the piece for another audience.

Maxine Hong Kingston read from her book, “I Love a Broad Margin to My Life,” quoting Rumi, and I served a sumptuous feast of 13th century delights and video installation of Rumi’s poems, mixing words with food from Rumi’s poems, including lavash, murri, baklava and wine.

The Rumi connection between us was unplanned and interesting.

Kingston shared writing exercises she has been doing for almost two decades with war veterans –  using poetry, memoir and fiction as coping strategies for post-traumatic stress disorder, using writing as a tool to transform inner consciousness away from violence towards humanity, humility, vulnerability, and compassion.

It was a pleasure and an honor to present work alongside Maxine Hong Kingston and hear her share her process as an artist and an activist.

A Wartime Revival of the Senses

On January 27, 2012, I will be presenting new work at Rock, Paper, Scissors Gallery in Oakland, for the art exhibit, A Wartime Revival of the Sensesco-curated by Emergency USA, a non-profit that partners with the local population in war torn communities to provide high quality, sustainable regional medical centers.

The goal of the show is to “use visual material and sensory engagement to ‘bring alive’ the U.S.’s wars with Iraq and Afghanistan” and renew a conversation between Americans about the wars.

I will be serving up some wine, Persian food from the Middle Ages, and 13th century poems by Muslim poet and Sufi mystic RUMI at the closing of the show to engage people in a conversation about war, Occupation, seduction, pleasure, and culture.

Rumi

Rumi’s ecstatic poems about wine, love, and thinking beyond dualism have been translated and recited across cultures and languages for 8 centuries.

I will be presenting my food and video installation Friday Jan 27 from 5:30-6:30 pm at 2278 Telegraph Ave, Oakland 94612, followed by a panel discussion with the show’s curator, art historian Katie Anania, and Emergency USA.

VEGAN PIG ROAST * Watermelon Slaughter * Sept 24, 2011 * San Francisco

SATURDAY SEPTEMBER 24

VEGAN PIG ROAST

WATERMELON SLAUGHTER

at Hayes Valley Farm, S.F.

  • FLOWER ESSENCE AGUA FRESCA 
  • PICKLED WATERMELON RINDS
  • COB-OVEN ROASTED PUMPKIN SEEDS, ETC. 

This is a DIY class where you will learn to make stuff + take it home. This second class in the series on using whole fruits and vegetables from our local Bay Area foodshed stem-to-root, and nose-to-tail, focuses on WATERMELONS and you will make cool stuff with the whole watermelon, including meat, rinds, and seeds, to take home and share with your friends

Class is open to everyone and cost is $35 OR free with a barter of your choice. 
Proceeds go to  the watermelon growers, the chef, and HAYES VALLEY FARM.
What does this mean? It means you can pay $35 to support the farmers and the chef ~OR~ barter skills and goods of your choice. What you barter is up to you.
Suggestions include: food from your garden, professional skills and services, bodywork, handmade crafts, etc. No one turned away for lack of funds. 

Please register here via Eventbrite so we know you are coming. REGISTRATION HERE : 

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Vegan Pig Roast Kills WATERMELONS!
SATURDAY SEPTEMBER 24
1-4 PM
HAYES VALLEY FARM
450 Laguna Street
San Francisco, CA 94102
Location phone: (415) 763-7645
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Look for Vegan Pig Roast updates on Facebook.

Questions? Contact the chef - yasmin@calicopie.us  / (415) 205-0037

Introducing VEGAN PIG ROAST: An Edible Garden Butchery Workshop

INTRODUCING A NEW SERIES OF COOKING CLASSES:

VEGAN PIG ROAST: An Edible Garden Butchery Workshop

WHAT IS A VEGAN PIG ROAST? 

A pig roast is traditionally a community gathering in which an entire animal is slaughtered, butchered, processed, cooked, and eaten from head to tail, in a celebratory manner.Whether you find this type of sacrifice horrific or not, we will not be killing any animals at Vegan Pig Roast.

Instead, we will learn to butcher, process, prepare, and enjoy beautiful, peak-of-season fruits and vegetables from our local Bay Area foodshed, using every part of the whole plant: stems, roots, leaves, seeds, skin, and meat.           

 Drawing inspiration from nose-to-tail eating, we apply this common sense and interesting approach to cooking, using all of what we kill, from stem-to-root, in order to respect the plants that nourish us, and not take ourselves too seriously.

 THE BUTCHER:

Vegan Pig Roast will be taught by Yasmin Golan, chef of San Francisco’s beloved pop-up restaurant, Queer Food For Love. An eight year veteran of artisanal kitchens, Vegan Pig Roast is a class series designed to help build community between feminist and queer people while helping to inspire aspiring cooks of all genders and orientations incorporate more plant-based food into their diet, in fun and interesting ways.

 CLASSES: 

This class series is a safe and welcoming space for queer-identified people. Bring your freaky self and friends. Reservations are required, so we can plan for the correct number of people and tell you what to bring to class. Please register with your name, email, and phone number so we can count on you. Thank you!

These classes are tied to the season in our area, so please sign up for summer classes while they last. Fall classes to be announced later with totally different ingredients.

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 SCHEDULE: 

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SATURDAY AUGUST 6: 

Vegan Pig Roast

Kills PEACHES! 

at HOMESPUN BIKES, OAKLAND
494 Wesley Avenue, Oakland, CA 94606 - (510) 893-3740
>>>CLICK HERE TO REGISTER @ BrownPaper Tickets>>>>
 
  • SOUTHERN PICKLED PEACHES
  • NOYAU LIQUOR
  • PEACH LEAF TEA, ETC.

This is a DIY class where you will learn to make stuff + take it home + share it with your friends. The first class focuses on PEACHES and you will make cool stuff with peach meat, kernals, and leaves. Class cost is $35 and goes to the farm, chef, and queer-owned bicycle shop. 

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SATURDAY SEPTEMBER 24

Vegan Pig Roast Kills WATERMELONS!

at HAYES VALLEY FARM, SAN FRANCISCO  

REGISTER BY CLICKING HERE : 

http://www.eventbrite.com/event/2169541156

  • FLOWER ESSENCE AGUA FRESCA 
  • PICKLED WATERMELON RINDS
  • COB-OVEN ROASTED PUMPKIN SEEDS, ETC. 

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Look for Vegan Pig Roast updates on Facebook.

Questions? Email yasmin@calicopie.us

Cherry Blossoms, Eggs, and Nettles: An Astrological Birthday Tea, for Spring

WHAT TO EAT WHEN YOUR BIRTHDAY IS ON THE EQUINOX?

my celebration for an Equinox Birthday ~ an edible table of delights

VERNAL EQUINOX & THE START OF SPRING

March 20, 2011 marks the first day of spring, or vernal equinox, as astronomers would have it. “Vernal” means “of or pertaining to spring.” “Equinox” means “equal night.” It is one of two days during the year where night and day are of equal length, and according to some, a day when an egg can be balanced on its end.

BIRTHDAY TEA & ALL THINGS SPRING

For a friend’s spring birthday on the equinox she imagined a tea party. Starting with that inspiration, I imagined all things Spring that go well with tea. Drawing inspiration from Japanese onigiri, I pressed sushi rice with pickled radish, fresh shiso leaves, pickled ginger and nori and folded tiny Chinese shu mai dumplings hand stuffed with shrimp and spring onions.

my hand filled shu mai

I turned pastured farm eggs into spicy-sweet Parsi deviled eggs spiked with green chilis, fresh cilantro and honey.

And made a number of crostini on different breads~ sheeps’ milk ricotta with spring nettles and borage blossoms on toasted challah; miso-butter with wild black trumpet and brown enoki mushrooms on toasted Tartine sesame country bread; and toast points of pain de mie with Andante goat cheese, fresh sprigs of upland cress, and shaved spring radishes.

Rounding out the table were sticky-sweet barhi dates, miniature tangerines, and kalamanso (a Filipino kumquat), and tiny easter egg radishes.

ARIES: ASTROLOGY & THE RAM

Many of the ingredients are a variety of things that have to do with spring (eggs, nettles, wild mushrooms) and my friend’s astrological sign, Aries, the ram.  In honor of the ram in her astrology, I used goats and sheeps’ milk cheeses, and decorated her cake with the astrological symbol for Aries, the double horns.

The horns of Aries appear on the top of  the mandarin-yuzu cheesecake with gingersnap crust I baked for dessert.

If I had my life to live over,
  I would start barefoot earlier in the spring
      and stay that way later in the fall.
  I would go to more dances.
  I would ride more merry-go-rounds.

			Nadine Stair,
			85 years old.